Teen trixxie-Cast Recording - Trixie True, Teen Detective - freesampleofviagra.com Music

WHAT, one may wonder, is ''Trixie True, Teen Detective'' doing in a theater that has staked its reputation on a venturesome, intelligently chosen repertory? Truly, however, the Boston Post Road Stage Company season's opener is not as anomalous as it might appear. The Off Broadway musical failure, which lasted less than three months at the Theater de Lys, now the Lucille Lortel, has not even attained cult status. Thus, it is not likely that even the most intrepid theatergoer will have come upon Kelly Hamilton's sendup of the Nancy Drew pulp mystery books that were going around in the 's and 50's, presumably, like the Trixie tales, ''on the bookshelves in grocery stores everywhere. Here, Trixie True, the ''half-wit permanently teen-age cutie'' and super sleuth, is the invention of a besotted hack writer named Joe Sneed.

Teen trixxie

Teen trixxie

Teen trixxie

Buy New. We find that Teen trixxie Muldavian Crown Jewels are hidden somewhere inside Gravestead Manor, and a frenzied chase ensues to find them - spies, counter-spies, agents, counter-agents, and counter-counter-agents pursuing one another over and under every piece of Teen trixxie on stage. Under the watchful eye of his iron willed boss Miss Snood, Joe cranks out "The Secret of the Tapping Shoes," which comes to life on stage. Hotopp and Paul De Passe. Additional ETen Trixie and her faithful chums set out to investigate ghostly Gravestead Trxixie. Cast Size Cast Size 7m, 16f. There was a problem filtering reviews right now. More Details

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Trixie and her faithful chums set out to investigate ghostly Gravestead Manor.

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Trixie True, Teen Detective Original Off-Broadway Cast - Off-Broadway

WHAT, one may wonder, is ''Trixie True, Teen Detective'' doing in a theater that has staked its reputation on a venturesome, intelligently chosen repertory? Truly, however, the Boston Post Road Stage Company season's opener is not as anomalous as it might appear. The Off Broadway musical failure, which lasted less than three months at the Theater de Lys, now the Lucille Lortel, has not even attained cult status. Thus, it is not likely that even the most intrepid theatergoer will have come upon Kelly Hamilton's sendup of the Nancy Drew pulp mystery books that were going around in the 's and 50's, presumably, like the Trixie tales, ''on the bookshelves in grocery stores everywhere.

Here, Trixie True, the ''half-wit permanently teen-age cutie'' and super sleuth, is the invention of a besotted hack writer named Joe Sneed. He swigs bourbon and, under the pseudonym of Helen Hathaway, grinds out ''thin and ineffective'' plots.

The one under way is called ''The Secret of the Tapping Shoes. But Joe has dreams of writing a book ''that's not full of be-bop and chocolate malteds'' - not to mention visions of Raymond Chandler and Dashiell Hammett. So he concocts a plot ''that Trixie can't get out of. And with Trixie out of print, there will be no more hounding - ''outlines and deadlines, with no room for rewrites'' - by Sneed's publisher, the dreaded Miss Snood.

Cleverly conceived, the production design has the gruff, despairing Joe pounding away at the typewriter on the lower level of the stage, while Trixie, overhead and overbearingly, finds time to crack an international spy ring in Cherry Hill, N. The Fairfield production makes a fairly persuasive pitch for lifting a perfectly painlessly trite show out of obscurity and into the mainstream, if only to give occasional succor from the likes of ''Dames at Sea.

Bert Bernardi's staging has the pep a spoof of this sort needs, and it is also effective at showing how characters come to life through a writer's command, and then take on a life of their own. In an engaging cast, Adrienne Doucette is fiendishly good twice over as the haughty and sex-starved Miss Snood and as the scheming and sex-starved Madame Olga, Trixie's tap dance teacher and a spy, but a most sensible villain.

Can anyone who wants to ''rid the world of Trixie's obnoxious platitudes'' be all bad? And Ruthann Bigley grapples dutifully with ''this business of being a woman - and yet being myself too. When the pluckiest and fastest-growing professional theater in the state goes in for something inane, you can bet your bottom dollar it is going to be really inane, and done right.

Box office: Performances through Oct. Log In. View on timesmachine. TimesMachine is an exclusive benefit for home delivery and digital subscribers. To preserve these articles as they originally appeared, The Times does not alter, edit or update them. Occasionally the digitization process introduces transcription errors or other problems.

Teen trixxie

Teen trixxie